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Film also called movie, motion picture or moving picture, is a visual art-form used to simulate experiences that communicate ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound, and more rarely, other sensory stimulations.[1] The word “cinema”, short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.
❏ STREAMING MEDIA ❏
Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.
Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.
Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.
❏ COPYRIGHT CONTENT ❏
Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time.[1][2][3][4][5] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.
Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][12] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[13]
Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[14]
Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration.
It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.[15]
❏ GOODS OF SERVICES ❏
Credit (from Latin credit, “(he/she/it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date.[1] In other words, credit is a method of making reciprocity formal, legally enforceable, and extensible to a large group of unrelated people.
The resources provided may be financial (e.g. granting a loan), or they may consist of goods or services (e.g. consumer credit). Credit encompasses any form of deferred payment.[2] Credit is extended by a creditor, also known as a lender, to a debtor, also known as a borrower.
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Mission
James Bond's first '007' mission leads him to Le Chiffre, banker to the world's terrorists. In order to stop him, and bring down the terrorist network, Bond must beat Le Chiffre in a poker game at the Casino Royale. Bond meets a beautiful British Treasury official, Vesper Lynd, who is assigned to deliver his stake for the game and watch over the government's money. But, as Bond and Vesper survive a series of lethal attacks by Le Chiffre and his henchmen, a mutual attraction develops.
Locations
Prague, Czech Republic; Lahore, Pakistan; London, UK; Uganda; Madagascar; Bahamas; Miami, USA; Trieste, Italy; Montenegro.
Pre-Credits Sequence
James Bond earns his double-o licence to kill by eliminating two enemies. The first dies a brutal and messy death in the washrooms of a cricket ground, whereas the second is a clean and clinical execution of a rogue operator handling the double-o section. For the first time in the Bond series, the scenes are shot in black and white to act as a flashback explaining Bond's promotion. The classic gunbarrel opener is saved until the credits sequence, where the film bursts back in to colour.
Title
The title is taken from Ian Fleming's first James Bond novel, and also features as the name of the casino in which 007 must bankrupt villain Le Chiffre.
Release Data
UK: 16th November 2006 (12A)
USA: 17th November 2006 (PG-13)
World Premiere: 14th November 2006 (Odeon Leicester Square, UK)
UK TV Premiere: 19th September 2009, ITV
US TV Premiere: 5th June 2009, USA Network
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Running Time: 144 minutes
Classification: 12A (UK), PG-13 (US)
Budget: $72m
Worldwide Box Office: $594.2m
US Box Office: $167.4m
US Admissions: CLASSIFIED
UK Box Office: $105.9m
Best Line
Bartender: 'Shaken or stirred?'
Bond: 'Does it look like I give a damn?'
Best Mistake
When Bond enters his pass code at the poker game, he enters 836547. This combination of numbers cannot spell VESPER. However, at the end of the film when Vesper Lynd enters the pass code, the last three digits entered are 737 (which, indeed, can spell PER).
Distinguishing feature
For the first time in the series, the film does not open with the traditional gunbarrel, which only appears after a stylised black and white sequence that shows how Bond earned his double-0 status.
Vital Statistics
Conquests: 1.5
Martinis: 3
Kills: 12
'Bond, James Bond': 1
The Making Of Casino Royale
The road to Casino Royale began in March 2004 when scribes Neal Purvis and Robert Wade (“The World Is Not Enough” – 1999, “Die Another Day” – 2002) began work on the screenplay. According to the duo, at that time they were writing the film with Pierce Brosnan in mind. That would all change a couple of months later when tabloid rumours spread that Brosnan had not been asked back for a fifth film.
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Behind the scenes, the task of casting a new 007 had begun. The title of the film and the return of “GoldenEye” (1995) helmer Martin Campbell was announced in February 2005, further hinting that the director was to usher another fresh face into 007’s tuxedo.